Published : 12/12/2016 15:35:14
Categories : Scopes
By CTD Blogger published on in Gun Gear
You see the term often used when describing scopes, but what exactly is parallax? More importantly, do you need to concern yourself with the parallax settings of a scope? Parallax describes a situation where the focal plane of the object in the scope is offset from the reticle. If you have parallax, you have an optical illusion that must be corrected. Parallax should not be confused with focus. Parallax compensation changes neither the focus of the reticle nor the focus of the image; it simply moves the planes at which these two objects are in focus so that they share the same plane (are coindicent). When looking through a high-power scope you identify parallax by adjusting your gaze slightly. If the reticle changes position on the target when you shift your gaze, your parallax is not properly compensated for at that range. The reticle appears to move in relation to the target image because the focal planes are not coincident, making it appear to be a 3D image. Properly adjusted, the reticle appears locked in place as if it were painted onto the target so that no matter how your gaze is shifted the reticle position never changes relative to the target. Consider the image below:
In this illustration, the point where the focal lines cross and form an X is the focal plane for the target image. Note that it is in front of the reticle. When the angle at which you are viewing the image through the eyepiece changes, the reticle position relative to the target image changes.
In this illustration, the focal plane for the target image and the reticle are the same, so no parallax adjustment is necessary. It is possible to have an accurately placed reticle in the first image only if you are looking at through the scope with your line of sight exactly lined up with the reticle and target image. The problem occurs when your line of sight is not exactly lined up, as the point of aim indicated by the reticle is now incorrect. By eliminating parallax and having the target image and reticle on the same plane, you no longer have to have a precise line of sight: no matter what angle you are looking through the scope at the reticle will still accurately indicate the correct point of aim. Parallax is usually negligible or not present at all in most low-magnification tactical style scopes, as the scope is too short or the range is not long enough. 1x red-dot style scopes generally are parallax free at any range. Even mid-power hunting scopes have very little parallax, and many tactical models do not have parallax compensation, as it is impossible to quickly and accurately determine range in a dynamic tactical situation. In high-power scopes used over long distances you must compensate for parallax. High power scopes are usually equipped with a side-mount turret, or adjustment ring located on the objective bell, so you can move the focal plane of the target and reticle and eliminate parallax. Some of these rings or turrets are marked with various distances, generally ranging from 50 yards to infinity, indicating the proper setting to eliminate parallax. While helpful as a general starting place, these factory set markings are not always accurate. I find it helpful to manually determine the proper setting at 50 yard increments and mark those settings on the scope. Why is it so critical to get a precise parallax compensation setting? Because the amount of parallax increases with magnification, giving you a larger margin of error at higher powers if your parallax is not precisely corrected. For example, on a high-power variable 6-20x magnification scope parallax appears easy to compensate for at the lower 6x magnification setting. Once the zoom is increased to 20x it takes a very fine adjustment to completely eliminate parallax. To measure the actual parallax compensation needed for a given distance and zoom, head out to a range with known distances and calibrate your parallax adjustment mechanism. Some parallax adjustment systems, such as a side-mounted turret, have knobs you can use to “rezero” the mechanism. To get consistent parallax compensation, start with the adjustment knob or ring set on the stop past “infinity.”
You can continue this process at various distances by moving the target closer and repeating the process. Permanently marking the positions on your ring or turret makes it easy to consistently return to that point time and again. Remember, when adjusting parallax using a side-mount turret, always start with the turret set against the stop past infinity and then turn it to the appropriate setting. This ensures that there is no slack or backlash to throw off your adjustment.